augmented reality intervention and installation in a private space, 3D models and animations, digital print on soft shell fabric, porcelain, spider plants parts, silicone, variable dimensions, 2020
„and then, it did cast a spell upon this place (through my phone)“
„calling upon the digital ones..."
„to touch you beyond the physical"
see the project's website: http://thatthinginmyroom.net
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ that thing in my room, 2020 / Photo credits: Andreas Giesecke
calling upon the digital touch @ Plein Sud, 2023 / Photo credits: Guy L'Heureux
calling upon the digital touch @ Plein Sud, 2023 / Photo credits: Guy L'Heureux
calling upon the digital touch @ Galerie Antoine-Sirois, 2023 / Photo credits: François Lafrance
calling upon the digital touch @ Galerie Antoine-Sirois, 2023 / Photo credits: François Lafrance